Steven Brown

Left-field American new wave band Tuxedomoon formed in San Francisco in 1977, initially around the creative nucleus of multi-instrumentalists Steven Brown and Blaine L. Reininger. Subsequently the duo were joined by bassist Peter 'Principle' Dachert. After signing with the cryptic Ralph label, home to The Residents, the band recorded the seminal albums Half Mute(1980) and Desire (1981), before relocating to Europe in order to pursue a more overtly avant-garde agenda. By now the group also included vocalist Winston Tong and visual director Bruce Geduldig.

The group moved first to Rotterdam, then Brussels. From their hectic concert and recording schedule between March 1981 and April 1983, four important recordings emerged, beginning with the score for a Maurice Bejart ballet in March 1982, released asDivine. The album Suite En Sous-Sol followed shortly after, and a trio of classic singles for Les Disques du Crépuscule: Ninotchka, Time to Lose and The Cage. The most ambitious project from 1982, an 'opera without words' called The Ghost Sonata, performed in Italy in July, remained unreleased until 1990.

Blaine L. Reininger left the band in April 1983, leaving Tuxedomoon to recruit Luc van Lieshout and plot their next move. The album Holy Wars emerged in 1985, followed by Ship of Fools (1986) and You (1987). The core Tuxedomoon trio of Brown, Reininger and Principle reunited for a successful world tour in 1988, and with Luc van Lieshout continue to perform and record. Ten Years In One Night (Live) (1990), Cabin in the Sky(2004), Bardo Hotel (2006), Vapour Trails (2007) and Pink Narcissus(2014) bring the TM story up to date.

Steven Brown began his solo career in 1983, with the first of two collaborative albums recorded with Benjamin Lew for Crammed Discs. Steven's first solo album proper, Music for Solo Piano, was released by Crépuscule in 1984 and remains one of his finest. Begun as a collaboration with Blaine Reininger, the album contains ten pieces for piano, clarinet and violin, including Close Little Sixes, Waltz and r.w.f. - the latter an homage to German film director Rainer Werner Fassbinder. Much of the album was close in style to Music #2, the touchstone piano and violin duet recorded by Brown and Reininger in Tuxedomoon.

Steven's next project was the score for a production of Edward Albee's play The Zoo Story. His second solo album proper,Searching for Contact, offering more electronic textures than before, included a linked four song cycle centered on Last Rendezvous, referencing the gay literature of Jean Genet and William S. Burroughs. The Italian language project Brown Plays Tenco also appeared in 1987.

In 1988 Reininger rejoined Tuxedomoon, after which he and Steven embarked on a series of projects as a duo. The pair composed soundtracks for the film De Doute et de Grace, and a modern ballet score, released as Croation Variations. 1990 also saw a live album, Live in Lisbon.

Steven's third song-based solo album was the accomplished setHalf Out, recorded for Crépuscule in 1991. Other releases include the soundtrack projects Music for Film and Theatre and La Grace du Tombeur, as well as band project Ninerain. In 1993 Steven relocated from Brussels to Mexico, and continues to record solo as well as with Tuxedomoon. His 2009 score for documentary El Informe Toledo was nominated for an award by the Mexican Academy of Motion Picture Arts and Sciences.Left-field American new wave band Tuxedomoon formed in San Francisco in 1977, initially around the creative nucleus of multi-instrumentalists Steven Brown and Blaine L. Reininger. Subsequently the duo were joined by bassist Peter 'Principle' Dachert. After signing with the cryptic Ralph label, home to The Residents, the band recorded the seminal albums Half Mute(1980) and Desire (1981), before relocating to Europe in order to pursue a more overtly avant-garde agenda. By now the group also included vocalist Winston Tong and visual director Bruce Geduldig.

The group moved first to Rotterdam, then Brussels. From their hectic concert and recording schedule between March 1981 and April 1983, four important recordings emerged, beginning with the score for a Maurice Bejart ballet in March 1982, released asDivine. The album Suite En Sous-Sol followed shortly after, and a trio of classic singles for Les Disques du Crépuscule: Ninotchka, Time to Lose and The Cage. The most ambitious project from 1982, an 'opera without words' called The Ghost Sonata, performed in Italy in July, remained unreleased until 1990.

Blaine L. Reininger left the band in April 1983, leaving Tuxedomoon to recruit Luc van Lieshout and plot their next move. The album Holy Wars emerged in 1985, followed by Ship of Fools (1986) and You (1987). The core Tuxedomoon trio of Brown, Reininger and Principle reunited for a successful world tour in 1988, and with Luc van Lieshout continue to perform and record. Ten Years In One Night (Live) (1990), Cabin in the Sky(2004), Bardo Hotel (2006), Vapour Trails (2007) and Pink Narcissus(2014) bring the TM story up to date.

Steven Brown began his solo career in 1983, with the first of two collaborative albums recorded with Benjamin Lew for Crammed Discs. Steven's first solo album proper, Music for Solo Piano, was released by Crépuscule in 1984 and remains one of his finest. Begun as a collaboration with Blaine Reininger, the album contains ten pieces for piano, clarinet and violin, including Close Little Sixes, Waltz and r.w.f. - the latter an homage to German film director Rainer Werner Fassbinder. Much of the album was close in style to Music #2, the touchstone piano and violin duet recorded by Brown and Reininger in Tuxedomoon.

Steven's next project was the score for a production of Edward Albee's play The Zoo Story. His second solo album proper,Searching for Contact, offering more electronic textures than before, included a linked four song cycle centered on Last Rendezvous, referencing the gay literature of Jean Genet and William S. Burroughs. The Italian language project Brown Plays Tenco also appeared in 1987.

In 1988 Reininger rejoined Tuxedomoon, after which he and Steven embarked on a series of projects as a duo. The pair composed soundtracks for the film De Doute et de Grace, and a modern ballet score, released as Croation Variations. 1990 also saw a live album, Live in Lisbon.

Steven's third song-based solo album was the accomplished setHalf Out, recorded for Crépuscule in 1991. Other releases include the soundtrack projects Music for Film and Theatre and La Grace du Tombeur, as well as band project Ninerain. In 1993 Steven relocated from Brussels to Mexico, and continues to record solo as well as with Tuxedomoon. His 2009 score for documentary El Informe Toledo was nominated for an award by the Mexican Academy of Motion Picture Arts and Sciences.